What is Clarinet

Definition Clarinet

Clarinet

Clarinetes consist of a combination of five parts, these are:

Mouthpiece (Waist)
Barrel (Barel)
Upper body
Underbody
Kalak (also called Pavillon)
The trunk of the clarinet is cylindrical. The calligraphy section is broader than the obanin's. This reed piece carefully carved and fitted is attached to the mouthpiece. The reed, which vibrates with the breath of the player, vibrates the air in the pipe to produce sound. The player's left hand is held upwards and the right hand is held downwards at a slight incline.

Like the flute and oboe, there is a metal mechanism in the clarinet's body that helps to open and close the sound holes. After applying the "Boehm system" in 1840, Klosé, a Paris conservatory lecturer and clarinetist, saw that the system was suitable for clarity and the Boehm system was applied to clarity. This system was later developed by different people at different times.

History of clarinet

The history of clarinet dates back to the 19th century when this breathtaking instrumental clarinet was performed in orchestras under the name of Chalumeau (Shalumo). This name from the French was the general name for breathable reeds. In the same century, Denner's instrumentalist, Shalumo, took the first step towards the present system. It was in 1750 that the instrument discovered in the 18th century was included in the orchestra. Mozart's role in the spread of clarinet in chamber orchestras in the 1800's is known to be great. In 1812, Ivan Miler clarinet, a faculty member at the Paris Conservatory, added different mechanics. Müller's 13-key instrument was more complicated than Denner's system. In 1840, the metal key mechanism for audio systems was used in clarinet as well as in flute and oboe. After applying the Close Boehm System clarinet, the lecturer of the Paris Conservatory Clarinet department, continued to develop the instrument on the instrument until 1860. Between 1900 and 1925, clarinet now has an important place in radio and studio recordings. The main purpose of the curtain systems was to get better acoustics. The clarinet, which started in the 1600s with a sound volume of 1.5 octave with Shalumo, took its place in conservatory teaching methods and music literature today as an indispensable breathable instrument for classical, jazz and pop orchestras with its soft and dark voice in Mozart's concertos and Quintets.

Types of clarinet

Clarnets are a very crowded family.

Mi flat small clarinet (announces the small triple sound of the notation)
Re small clarinet * Do clarinet (announces the same notation)
Si bemol clarinet (pronounced by the big duo of the notan)
La clarinet (announces the small triple thick voice of the notation)
Basset horn (Fa) (Announces the full voice of the written note)
Mibemol alto clarinet (the great six-note sound of the written note honors)
Si flat bass clarinet (announces the large nine-note thick voice of the notation)
La bass clarinet (1 octave of the written note and a small triple announces the thick voice)
Si flatbone contrabass clarinet (2 octaves in written voice and big double voice)
All of these instruments are the same. One can play any other after a very short adaptation period, learning to play well. Only four are used orchestrated.

Mi flat small clarinet
Si flat brine
La clarinet
Si flat bottom clarinet
Four of these four outbreaks are not used in any one of the four. Typically, composers use two brilliant clarinets. If it is a trio orchestra, a bass clarinet is added to it. Larger orchestras may include flat brilliance and one more flat brilliance.

La clarinet Si is a very close instrument of clarity. The size of La clarinets is a bit longer, the color of the sound is a little bit darker than the Si flat colors. Strike and sound width are the same. However, the Si bemolary clarinet plays a large double layer of the written notation and the La clarinet plays a small triple layer. Composers use one of these two clarinet types. The most important reasons for this are:

If a darker color is desired.
If there is a lot in the artifact.

If you need to use the sound of Do in the thickest of the clarinet part.

Audio width Clarinet

The notes of the clarinet are written on the left key. The audio range is almost 4 octaves wide. Within this width, all diatonic and chromatic voices can be obtained. These sounds are rarely used because it is a little difficult to play notes that are thinner than the left note on the fourth line. If it is desired to use it, a small clarinet is used. The thickest note is obtained chromatically in the next octave by the opening of the sound holes from the top to the bottom, respectively. The acquisition of the voices of this Si frame is somewhat different from that of flute and oboe. The voices coming from the main voices of the flute and oboe are obtained as the second borners (an octave pearl) of these essential voices, and in the more intricate case, the fourth voices of the main voices (two octaves pearl). In Klarinette (because the body is cylindrical), the births obtained are single (3, 5, 7, 9). The third line is the third sound, which is the thickest voice of the Si sound clarinet, the voice of the lips and breath, and also the result of the help of a helping curtain, ie 1 octave and a full 5. The sounds from this Si voice to the third additional line Fa are obtained chromatically in this way. The voices at the end of the Fa are obtained in various ways, in ways that vary according to each clarinet and clarinet structure.

Quenching zones of the clarinet

The clarinet has four different resonance zones:

Thick sound region: From the thickest sound Mi, an octave pearl is the region up to the diaphragm note Fa. It can be described as rich, mine, mysterious, dark and dramatic. This sound region is also called "Shalumo" (Chalumeau) region. "Shalumo" is the name of an old devil who is the father of clarinet.
Bad voices: From the left note, the three half-pitches are the region from the next to the bemo note, the worst voices of the clarinet, weak, pale and slightly more powerful.
Middle sound region: The second additional line from the Si note is the most beautiful sounds of the clarinet up to the Do note. This region is called the "clarino" (Clarino) sound region. The most beautiful and most effective clarinet solos are written in this sound field. These voices are clear, bright, warm and impressive.

Thin sound region: The second additional line is the thinner sound after Do. It is hard and uncomfortable when it is bruised, but when it is played with a low sound, it shows a warm and soft, flute tone color close to the tone.

Technical specifications Clarinet

The clarinet is very close to the flute in terms of agility. All kinds of fast, bright, flashy passages, arrays, arpeggios, groupetto and similar figures, trills and tremolas can be played easily. They usually use a single language. Because double languages and three languages are very difficult, they are not used unless there are special circumstances. Spacious jumps from one sound region to another sound region are one of the clarity-specific convenience. However, it is very limited in playing fast repetitive sounds. One of the most important features of the clarinet is that it is extremely talented in terms of the guru. It can be played very low and very loud.

Ornamental importance Clarinet

Clarinet is orchestrated in every kind of task, ranging from fast, flowing, bright, flashy passages to wide emotional melodies. The effective crescendo and decrescendo ability combined with a clear and bright sound color causes the clarinet to be frequently assigned to the "Espressivo" solo passages. The sound color is good with other wood blowing. It is the most important task that the clarinet can do to fold other musical instruments, to provide harmonies in the background if necessary and to perform accompaniment figures.



Sol Klarnet