2 Nisan 2017 Pazar
Amati ACL 640K Clarinet
AMATEUR 640K Left Clarinet
 |
| Amati Clarinet ACL 640K G Clarinet |
AMATİ 640K LEFT CLARNET
640K Sol Clarnet, the new Amatya company, excited all the clarinetists. The AMATI company, one of the largest producers of kalarnet in the world, is in a good position in terms of quality and quality. We can say that one of the indispensable brands of Clarnets is for the comfort of the plays and the trustworthy and reliable tone of the instruments they produce.
The new clarinet produced by Amati is increasingly popular today.
ACL 640 K Sol Clarinet
The new design of the product was drawn during the visits to Hosni Promenade and Prague Amphitheater and came to the stage of sales after 1 year.
The difference with the ACL 340S is that the new design has been overtaken when Kalak and Barilleri have changed. Tuning settings are enhanced by the dominance of the renewed tree.
General features
Two barrels of 68 mm and 70 mm
The metal at the end of the calligraphy was canceled and designed with wood.
The prepared bracelet cover is available.
Not: There is a gift of Bore Oil in Amami interior wipe beige wood booster inside the box.
Technicial Specifications
Body: Granadil
Mechanism: Nickel-silver alloy coating
Keys: 17 curtains 4 rings
Detailed information about the clarinet and executive videos will be available to you soon. Please let us know your wishes and comments.
How to Play the Clarinet
How to Play the Clarinet
 |
| Play The Clarinet |
A clarinet is a woodwind instrument with a beautiful, pure sound. Clarinets have one of the largest ranges of pitch of all musical instruments, which makes it one of the most interesting instruments to learn to play. Whether you're learning for a school band or on your own, it's important to learn how to assemble the instrument, hold it properly, make an even tone, and get started learning to play the right way.
Clarinet Barrel
What is Clarinet Barlied What is Good
 |
| Clarinet Barell |
- It is an important part of your clarinet to keep the chord fully and reduce the problems of entenment.
Today, there are barıls made of many different materials.
These include;
-Bakalit bars
- Tree barracks (Abonon, cocobolo, rose ...)
-Derlin bars.
Clarinet Barilleri
There are those who opened the microphone hole and those who did not sell these barriers. It is more advantageous to use bars with clarinet microphone holes;
Clarinet Baril Dimension
Inner image of the clarinet bar
When you need yesterday, you can perform your clarinet following the acoustic type. When you want to connect to the amplifier at the stage, you can easily remove the acoustic type and attach the clarinet microphone.
- The size of your clarinet barrel is proportional to the sound. For example, there is a difference between the 70 's clarinet bar and the 68' s clarinet bar. While the 70 's of the clarinet barrel is more pale, the 68' s clarinet barrel is sharper.
- Nowadays there are tuned bars but they can not wear clarinet microphones. (Wireless Microphone can be installed)
-Tombul (Tombik) Clarinet Barısı search while the opposition has come out.Tombul (Tombik) barlarının clarinets makes the tunes more exhaustive. The vibrations that come into your barrel will keep your voice in the clarinet longer.
-The material made of your clarinet barrel affects the color of the sound, especially the wood bars gives a more natural sound.
- When you first receive the clarinet, two barrels will emerge from it. One is shorter than the other. When you first start, it is not very important to start with the bar, but we advise you to wear the long one. One of the barracks will be 68mm and the other 70mm.
-Sibolol clarinet bars are shorter in size.
One of the reasons for this is that when your clarinet is playing, sometimes there is a rustling sound, which is the accumulation of saliva in your clarinet. For this reason, when you play clarinet, you should be looking at the stray part and you need to build your barrel after your playing.
Clarinet Barrel Receivables Which Barılmalı
This is the most plausible 68 mm barrel for the left clarinists. If you ask why, if you keep your barrel a little bit off the top of your clarinet, you will get a better voice. You can use this advantage on a barrel of 68.
Clarinet Mouthpiece
Clarinet Mouthpiece
The Mouthpiece and Lay
The clarinet's mouthpiece - together with the reed - serves as a creator of tones (of sound waves, technically speaking). Looking at different wind instruments like the oboe, trumpet, flute or clarinet you will find a wide variety of ways to create a tone and they result in different types of mouthpieces.
 |
| Clarinet Mountpiece |
A clarinet mouthpiece is nothing more than the end of a cylindrical tube with a flattened end onto which a reed is fastened, either with a ligature or a cord as can be seen on the picture left (the cord is typical for Germans). One can blow into this end and you will get a somewhat squeaking, high pitched note - but this definitely is a clarinet sound. Ancient woodwind instruments did not have the mouthpiece separated from the instrument, and with very ancient ones the reed was a part of the instruments body (which was made from reed grass), separated by simply sawing a slot between body and reed.
The Most Individual Part of the Instrument Clarinet
If the mouthpiece creates the tone, then the delicately crafted rest of the clarinet is needed. And it's the mouthpiece that matters most for the sound. However, this is true for most - if not all - wind instruments.
Playing with the same excellent mouthpiece on two different clarinets, one that is simple, made of plastic, and one that is extremely expensive, you will most often find the difference in the sound. Different mouthpieces. Many players will doubt this - especially when you have paid for lots of your instrument.
But then many players use the same mouthpiece as they have the clarinet from the beginning and never tried a different one, even when they change their instruments (as long as the mouthpiece still fits). Of course they get used to the properties of the mouthpiece and know from their experience how to handle it. If you change your mouthpiece you will always face problems in the beginning. In fact you can considerably improve your tone and even your playing alltogether by using a mouthpiece that fits you.
What makes different mouthpieces different? Clarinet
This is mostly about ...
Diameter of the bore
Length of the lay or facing
Steepness of the lay or tip opening
The diameter of the bore is defined by the instrument (or better: its type), because the mouthpiece must have the same bore as the rest of the instrument. This is for example 15,2 mm (equals 0.598 inch) for a German style A- or B flat clarinet and it is 14,9 mm (equals 0.587 inch) for an A or B flat Boehm instrument, just below the mouthpiece.
The lay-out is the cut-off surface on which you fix the reed, which has the wind-cut and the tip opening. On first glance the lay seems to be flat. In fact it is not; The surface of which is the reed is held with the ligature or a cord (which is called the table) is slightly concave and the opening is convex. The idea here is as follows:
The hollow table bends the reed like a spring when you fix it tighly onto the table. As a result the reed's tip would be a little above lay, so a thin gap is created that air can flow through.
The tip opening is convex, that is even with a perfectly flat reed gap, plus a swinging reed will close the wind-cut only for a very short fraction of time. If the tip opening was flat, the swinging reed would slap on the sides of the mouthpiece next to the wind-cut creating a croaking or squeaking sound. Because of the bent form even the strongest fff will not cause the reed to slap onto the lay when swinging.
You will hear that form and volume of the transition between the mouthpiece and the bore of the instrument is very important. In combination with the oral cavity they form an important part of the "resonance room" of the instrument. That explains why the very same instrument produces a different tone frequency with different players. The oral cavity is part of the swinging air system, which is the length of the instrument. Unfortunately, there is far too much practical knowledge about this, so mouthpiece and instrument manufacturers have to work with values drawn from experience.
Different lengths and especially different bends at the tip opening result in mouth pieces of different "hardness" or "heavyness", that react differently and can respond differently to dynamics.
The choice depends on the individual player's features, especially the player's jaws and teeth.
What is Clarinet
Definition Clarinet
 |
| Clarinet |
Clarinetes consist of a combination of five parts, these are:
Mouthpiece (Waist)
Barrel (Barel)
Upper body
Underbody
Kalak (also called Pavillon)
The trunk of the clarinet is cylindrical. The calligraphy section is broader than the obanin's. This reed piece carefully carved and fitted is attached to the mouthpiece. The reed, which vibrates with the breath of the player, vibrates the air in the pipe to produce sound. The player's left hand is held upwards and the right hand is held downwards at a slight incline.
History of clarinet
Types of clarinet
Clarnets are a very crowded family.Mi flat small clarinet (announces the small triple sound of the notation)
Re small clarinet * Do clarinet (announces the same notation)
Si bemol clarinet (pronounced by the big duo of the notan)
La clarinet (announces the small triple thick voice of the notation)
Basset horn (Fa) (Announces the full voice of the written note)
Mibemol alto clarinet (the great six-note sound of the written note honors)
Si flat bass clarinet (announces the large nine-note thick voice of the notation)
La bass clarinet (1 octave of the written note and a small triple announces the thick voice)
Si flatbone contrabass clarinet (2 octaves in written voice and big double voice)
All of these instruments are the same. One can play any other after a very short adaptation period, learning to play well. Only four are used orchestrated.
Mi flat small clarinet
Si flat brine
La clarinet
Si flat bottom clarinet
Four of these four outbreaks are not used in any one of the four. Typically, composers use two brilliant clarinets. If it is a trio orchestra, a bass clarinet is added to it. Larger orchestras may include flat brilliance and one more flat brilliance.
La clarinet Si is a very close instrument of clarity. The size of La clarinets is a bit longer, the color of the sound is a little bit darker than the Si flat colors. Strike and sound width are the same. However, the Si bemolary clarinet plays a large double layer of the written notation and the La clarinet plays a small triple layer. Composers use one of these two clarinet types. The most important reasons for this are:
If a darker color is desired.
If there is a lot in the artifact.
If you need to use the sound of Do in the thickest of the clarinet part.
Audio width Clarinet
The notes of the clarinet are written on the left key. The audio range is almost 4 octaves wide. Within this width, all diatonic and chromatic voices can be obtained. These sounds are rarely used because it is a little difficult to play notes that are thinner than the left note on the fourth line. If it is desired to use it, a small clarinet is used. The thickest note is obtained chromatically in the next octave by the opening of the sound holes from the top to the bottom, respectively. The acquisition of the voices of this Si frame is somewhat different from that of flute and oboe. The voices coming from the main voices of the flute and oboe are obtained as the second borners (an octave pearl) of these essential voices, and in the more intricate case, the fourth voices of the main voices (two octaves pearl). In Klarinette (because the body is cylindrical), the births obtained are single (3, 5, 7, 9). The third line is the third sound, which is the thickest voice of the Si sound clarinet, the voice of the lips and breath, and also the result of the help of a helping curtain, ie 1 octave and a full 5. The sounds from this Si voice to the third additional line Fa are obtained chromatically in this way. The voices at the end of the Fa are obtained in various ways, in ways that vary according to each clarinet and clarinet structure.
Quenching zones of the clarinet
The clarinet has four different resonance zones:
Thick sound region: From the thickest sound Mi, an octave pearl is the region up to the diaphragm note Fa. It can be described as rich, mine, mysterious, dark and dramatic. This sound region is also called "Shalumo" (Chalumeau) region. "Shalumo" is the name of an old devil who is the father of clarinet.
Bad voices: From the left note, the three half-pitches are the region from the next to the bemo note, the worst voices of the clarinet, weak, pale and slightly more powerful.
Middle sound region: The second additional line from the Si note is the most beautiful sounds of the clarinet up to the Do note. This region is called the "clarino" (Clarino) sound region. The most beautiful and most effective clarinet solos are written in this sound field. These voices are clear, bright, warm and impressive.
Thin sound region: The second additional line is the thinner sound after Do. It is hard and uncomfortable when it is bruised, but when it is played with a low sound, it shows a warm and soft, flute tone color close to the tone.
Technical specifications Clarinet
The clarinet is very close to the flute in terms of agility. All kinds of fast, bright, flashy passages, arrays, arpeggios, groupetto and similar figures, trills and tremolas can be played easily. They usually use a single language. Because double languages and three languages are very difficult, they are not used unless there are special circumstances. Spacious jumps from one sound region to another sound region are one of the clarity-specific convenience. However, it is very limited in playing fast repetitive sounds. One of the most important features of the clarinet is that it is extremely talented in terms of the guru. It can be played very low and very loud.
Ornamental importance Clarinet
Clarinet is orchestrated in every kind of task, ranging from fast, flowing, bright, flashy passages to wide emotional melodies. The effective crescendo and decrescendo ability combined with a clear and bright sound color causes the clarinet to be frequently assigned to the "Espressivo" solo passages. The sound color is good with other wood blowing. It is the most important task that the clarinet can do to fold other musical instruments, to provide harmonies in the background if necessary and to perform accompaniment figures.
Sol Klarnet
Kaydol:
Kayıtlar (Atom)